ORIGINAL VINYL VS REMASTERED REISSUES
I’ve read many reviews extolling the virtues of “remastered
reissues”, and their superiority, often to the original vinyl release. For me,
I have to say, it’s a myth. There just ain’t anything wrong with the original
vinyl. I have yet to hear a “remastered re-issue” that sounds superior, to my
ears.
I recently read a review of a new Clash compilation –
“Hits Back”. The reviewer’s opinion was that it shed a fresh new light on The
Clash’s back catalogue. It prompted me to think I might get a copy of Hits
Back, to hear these songs myself, in a new light. I was also prompted to give
my Clash records a spin.
The reviewer recounted playing “Hits Back”, and being
blown away by how it sounded. They also said they went to a shop that
specialises in vinyl, and hearing “The story of The Clash” (which has a track
list very similar to “Hits Back”) in the shop’s vastly superior sound system,
didn’t stand up to “Hits Back” soundwise.
I played “The story of The Clash” album on vinyl.
Sounded pretty fricken good to me. Played
The Clash first album on vinyl. Sounded pretty fricken good. And I thought to myself, I could save the $20
I would have spent on
“Hits Back”, and buy some more vinyl.
The reviewer – now, the person knows their shit, and is
on the money 99.9% of the time, and I have absolutely no interest in starting any
kind of cyber war – but they’re a bit anti vinyl. Here’s a snippet of what they
said in the review;
“You see, I know
that some of you just love that crazy vinyl sound. It is so warm, so scratchy,
so dusty, so coated in the turntable rumble of motors spinning and diamonds
gouging away at your precious wobbly discs. It’s just so authentic. Pumped
through the AM band and spewed out of transistor radios, we actually did hear
music differently and our attempts to recreate these sounds created punk rock”.
We I don’t know about you, but I can’t hear the
turntable rumble of motors when I play a record. And whilst I don’t have a top
shelf sound system, it’s not some shitty old setup, but it is geared for
playing vinyl. But I do love that (crazy?) vinyl sound.
Now, production on The Clash’s back catalogue increased
exponentially with each record, you might say. The first album, while not being
a benchmark of production qualities, isn’t some lo-fi distorted mono recording
is it? Three cases in point; (depending on whether you have the UK or US
version, of which I have both). “Clash City Rockers” is pretty shit,
production-wise, and you’d have to change the entire sound of the song if you
were going to beef it up, and it just wouldn’t be the same song. “White Riot”
is a subject in point during the review of “Hits Back”;
“The
bass is largely the central instrument even in the punkier first album songs
(re-listen to White Riot and try to work out why you couldn’t play it in
straight chords. It may be all hands on board for the intro but it backs off
into sparse lead lines when the vocals come in and the bass is doing all the
work). Perhaps this is why the remastering of this album has proved so
successful. Paul Simonon’s playing skips and bounces. It damn near pirouettes”.
I dunno. The bass has always been pretty central and
clear to me, on White Riot. And it sounds pretty bouncy. The diamonds haven’t
gouged away the clarity thereof, either. And particularly on “Police and Thieves”
the production is slightly better; the bass drives the song, the drums propel
it, and Strummer’s guitar is through one speaker, complimenting Jones’ on the
other.
The whole debate gets a bit arbitrary, really.
The question could be whether the person has actually
listened to their vinyl recently, or do they have a system that can play vinyl
properly, or do they have idealised notions of what the record sounded like, or
is their stereo designed to play CD’s over vinyl, or do they actually like CD’s
better, and so on.
The remastered reissues I’ve bought, just haven’t enhanced
the sound of the album. “Your funeral my trial” by Nick Cave and the Bad Seeds
is a vinyl favourite of mine, even having to change the record every two songs.
(That’s where it works though, it gives the sound a unique dynamic – it’s a 45
rpm, and 45’s are cued louder and mastered to vinyl differently.) The reissue
was (apparently) remastered, but I played the vinyl and CD back to back a few
times, and couldn’t detect any difference in sound, and still reckoned the
vinyl to sound better. The CD version of “Songs the Lord taught us” by the
Cramps, I have to say (sorry Lux and Ivy) actually sounds worse, too clinical
and cleaned up. The vinyl version sounds way better; there’s more distortion, reverb,
and bottom end in there.
I got a “deluxe
reissue remastered for vinyl” of The Damned’s “Black album”. I shelled out for
that one after buying an album by the Supersuckers (Get it Together) on the
label that put it out. The Supersuckers album sounded amazing, primo, superb,
the sound on that vinyl record was just amazing, there is so much life and
energy captured in those grooves. Again, I listened to the original Black album,
and the remastered album back to back, and couldn’t see how it had improved.
I’ve had a copy of the Saints “I’m Stranded on CD for
ages. It’s been reissued on vinyl, but I found an original copy at a garage
sale for $1. Although it’s not the greatest copy, it’s a little worn, the cover
is slightly tatty, and so y’know, if I was to put it on ebay, it wouldn’t
really fetch much in that condition, but I was still very happy with that
score. And I maintain it sounds more lively than the CD, even with the little
pops and scratches in there. I put it on the turntable, smiled and thought to
myself ”Now that’s the
shit”............. Then there’s the ones that sound good either way; “Feel the
Darkness” by Poison Idea sounds pretty much the same on vinyl or CD.
CD’s have their merits of course, as I’m sure many
remastered reissues do. This isn’t so
much the question of ”do CD’s sound better than vinyl”, it’s just in my
experience and opinion, reissues rarely sound better. I can’t answer whether
CD’s sound better than vinyl; I’m biased towards vinyl, obviously. And instead
of getting an ipod and downloading all my music onto it, I still seek out
vinyl, old and new. It’s a personal thing. If you’re into vinyl, you like and
understand it. It doesn’t mean it’s the
domain of crusty old audiophiles, even though I myself may be getting Old, Loud, and Grotty.
NEGATIVE APPROACH
